Bibliografía

Bibliografía 

- Bremner Natalia. (2015). Keepin’ it real? Engaging with language politics in Réunion through the juxtaposition of English and Réunionese Kreol in dancehall music. The Journal of Romance Studies. Vol. 15(1).https://www.academia.edu/12397066/Keepin_it_Real_Engaging_with_Language_Politics_in_Réunion_through_the_Juxtaposition_of_English_and_Réunionese_Kreol_in_Dancehall_Music

- Cooper, Caroline. (2004). Sound Clash Jamaican Dancehall Culture at Large. Palgrave MacMillan.https://epdf.pub/sound-clash-jamaican-dancehall-culture-at-large.html 

- Crenshaw, Kimberly. (1989). Demarginalizing the intersection of race and sex: a black feminist critique of anti discrimination doctrine feminist theory and antiracist politics. University of Chicago Legal Forum: Vol. Iss. 1, Article 8.https://chicagounbound.uchicago.edu/cgi/viewcontent.cgi?article=1052&context=uclf

- Dawes, Kwame. (2018). Sound Systems: A new generation of Jamaican musicians is blending dancehall and roots reggae to take on the country's problems. World Policy Journal. Vol 35 (1):35-39.https://muse.jhu.edu/article/689314/pdf 

- Delgado de Torres, Lena. (2011). Swagga: Fashion, Kinaesthetics and Gender in Dancehall and Hip-Hop.  Journal of Black Masculinity: The Philosophical Underpinnings of Gender Identity, vol. 1, no. 3. https://www.academia.edu/895549/Swagga_Fashion_Kinaesthetics_and_Gender_in_Dancehall_and_Hip-Hop

- Hope, Dona P. (2006). Inna Di Dancehall. Popular culture and the politics of identity in Jamaica. Kingston, University of the West Indies Press. https://sites.google.com/a/zooser.space/dietmarbarak/inna-di-dancehall-popular-culture-and-the-politics-of-identity-in-jamaica

- Hope, Donna P. (2001). “Of ‘Chi-Chi’ Men: The Threat of Male Homosexuality to Afro-Caribbean Masculine Identity”.(paper presented at the 26th Annual Caribbean Studies Association Conference, Maho Bay, St. Maarten). https://ufdcimages.uflib.ufl.edu/ca/00/40/02/51/00001/pdf.pdf

- Hope, Donna P. (2002) ‘Love Punaany Bad’: Negotiating Misogynistic Masculinity in Dancehall Culture (paper presented at the 2nd Conference on Caribbean Culture, University of the West Indies, Mona, Jamaica, January. https://www.academia.edu/298200/Love_Punaany_Bad_Negotiating_Misogynistic_Masculinity_In_Dancehall_Culture

- Hope, Donna P. (2004). “The British Link Up Crew: Consumption Masquerading as Masculinity in the Dancehall,” Interventions: International Journal of Postcolonial Studies 6, no. 1 (April): 101–117. 

- Hope, Donna P. (2006). Passa Passa: Interrogating Cultural Hybridities in Jamaican Dancehall. En Small Axe 21. October, (Pp: 119-133). https://www.academia.edu/298203/Passa_Passa_Interrogating_Cultural_Hybridities_In_Jamaican_Dancehall 

- Kingsley Stewart. (2002). “So Wha Mi Nuh Fi Live To: Interpreting Violence in Jamaica through Dancehall Culture,”. Ideaz 1, no. 1: 17–28.

- Marchiselli, Chani. (2018). Danger in the Dancehall: Gender and Urban Reform in the Early Twentieth Century. The Journal of American Culture. https://onlinelibrary.wiley.com/doi/abs/10.1111/jacc.12870

- Marshall, Annecka. (2007). Reconsidering Dutty Wine: Mona Students’ Views on Black Female Sexuality in Jamaica. 8th Annual Conference Crisis, Chaos and Change: Caribbean Development Challenges in the 21st Century. https://sta.uwi.edu/conferences/salises/documents/Marshall%20%20A.pdf

- Martínez, Rubén Y Canova, María Paula. (2017). Resistencia sonora: El Patois en el reggae dancehall jamaiquino. Universidad Nacional de la Plata. http://sedici.unlp.edu.ar/bitstream/handle/10915/66436/Documento_completo.pdf?sequence=1

- Olsen, Barbara & Gould, Stephen. (2008). Revelations of cultural consumer lovemaps in Jamaican dancehall lyrics: An ethnomusicological ethnography. En Consumption Markets & Culture. 11:4, 229-257. .https://www.academia.edu/15518017/Consumption_Markets_and_Culture_Revelations_of_cultural_consumer_lovemaps_in_Jamaican_dancehall_lyrics_An_ethnomusicological_ethnography

- Pinnock, Agostinho. (2007). A Ghetto Education Is Basic: (Jamaican) Dancehall Masculinities As Counter-Culture. The Journal of Pan African Studies, vol.1, no.9, August. https://www.academia.edu/3881404/A_Ghetto_Education_Is_Basic_Jamaican_Dancehall_Masculinities_As_CounterCulture 

- Preston Amanda. (2017). “So come put on de handcuff dem”; Jamaica’s DancehallSuperstar’s Self-Fulfilling Prophecy of Life in Prison. https://repository.law.miami.edu/umialr/vol48/iss3/9/ 

- Rodriguez Espinel, David. (2015). Del calypso al Dancehall: música popular y cambio cultural en la isla de Providencia, Colombia, 2013. Ensayos: Historia y Teoría del Arte, 19 (28). pp. 31-61. https://revistas.unal.edu.co/index.php/ensayo/article/view/58647

- Sabia McCoy – Torres. (2017). “Love dem bad”: Embodies experience, Self Adoration and Eroticism in Dancehall. Transforming Anthropology. 25(2): 185-200. https://www.researchgate.net/publication/320953390_Love_Dem_Bad_Embodied_Experience_Self-Adoration_and_Eroticism_in_Dancehall 

- Small, Judene Antoinette. (2012) Give Dem Di Dance. An investigation of the Jamaican Culture through the Musical Dance of the Dancehall.  Thesis Submitted in Partial Fulfillment of the requirements for theMaster of Fine Arts in Dance With emphasis in Choreography and Performance. Mills College. https://www.academia.edu/2204372/Give_Dem_Di_Dance_An_Investigation_of_the_Jamaican_Culture_through_the_Music_and_Dance_of_the_Dancehalls

- Sonjah Stanley-Niaa. (2004). Kingston’s Dancehall: A Story of Space and Celebration, Space and Culture7, no. 2: 102–118. https://www.academia.edu/1773457/Kingstonss_Dancehall

- Sonjah Stanley-Niaa. (2010). From Slaveship To Guetto. University of Otawa Press.